#Phantom of the opera 25th anniversary full#I’d be curious to know what people who were sitting further back in the auditorium felt about those projections: on our cinema screen, they seemed particularly effective when the camera pulled back to show their full effect. The real place to see this is in a theatre, not on projections I longed for 3D glasses to make them seem more real! I really missed, for instance, the magical journey that the Phantom and Christine make through a candle-lit lake to his lair. Writing on his daily blog at The Stage, Mark Shenton (who was sitting near the front of the stalls) decried the projection quality: They were complemented by a huge rear projection screen behind the orchestra, and smaller ones in the ground-level archways. What there was of the set looked sumptuous, an extension of, and tribute to, the original designs for the show created by the late Maria Björnson. #Phantom of the opera 25th anniversary series#The main stage space saw the orchestra perched atop a series of ornate archways, with a lighting rig doubling as a faux proscenium arch that occasionally descended to show activity in the ‘fly tower’ above. The upper level boxes were cleverly extended round to include Box Number Five, which the “Opera Ghost” demands is kept for his sole use. A specially constructed set in the Albert Hall took over the whole of the choir and organ end of the auditorium. I wasn’t there to review the seats, though, but to see a transmission of the souvenir performance marking 25 years since The Phantom of the Opera blasted onto the West End stage (the actual anniversary is next weekend). And they’re not – but they are far better than I’d imagined, even if the fidgety old couple at the end of our row did cause the whole bank of seats to vibrate every time they shuffled around. It’s the first time I’ve been in the SecondSpace when it’s been in use as a performance area: the ingenious, adaptable design allows the seating to retract fully away into the walls and for a partition to be removed, making for a large open-plan bar area which was used for drinks receptions at the venue’s grand opening and at the gala night for last year’s pantomime.īecause of the retractible nature of the seating, I had expected that they wouldn’t be quite as comfortable as the luscious, generously proportioned seats in the main auditorium. If you have track length/time information for this album, please e-mail it to us at and we will add it to the database.Last night I went to the Aylesbury Waterside Theatre, where the venue’s small studio area, the SecondSpace, had been converted into a big-screen cinema for a live relay of The Phantom of the Opera’s 25th anniversary gala at the Royal Albert Hall. Track lengths not available for this album. Scene 9 - Beyond the Lake (Christine, The Phantom, Raoul & Company)ĭisc 3: The Phantom of the Opera: 25th Anniversary Box Setĭisc 4: The Phantom of the Opera: 25th Anniversary Box SetĪ Little Slice Of Heaven (Reprise) Ladies. Scene 8 - The Labyrinth Underground (Down Once More/Track Down This Murderer (Full Company) Scene 7 - Don Juan Triumphant (Carlotta, Piangi, Passarino and Company) The Point of No Return (The Phantom and Christine) Scene 6 - Before the Premiere (Raoul, André, Firmin, Fireman and The Phantom) Scene 5 - A Graveyard in Perros Wishing you Were Somehow Here Again Christine Wandering Childīravo, Bravo (Christine, The Phantom, Christine & Raoul) Scene 4 - A Rehearsal for Don Juan Truimphant (Chrisine, Piangi, Reyer, Carlotta, Giry & Company) Twisted Every Way (André, Firmin, Carlotta, Piangi, Raoul, Chrstine, Giry & 
 The Phantom) Scene 1 - The Staircase of the Opera House, New Year's Eve Masquerade/Why So Silent (Full Company) Raoul, I've Been There (Raoul & Christine)ĭisc 2: The Phantom of the Opera: 25th Anniversary Box Set Scene 10 - The Roof of the Opera House Why Have You Brought Me Here? Scene 9 - A Performance of Il Muto Poor Fool, He Makes Me Laugh (Carlotta & Company) Scene 8 - The Manager's Office Notes/Prima Donna (Firmin, André, Raoul, Carlotta, Giry, Meg & 
 The Phantom) Scene 7 - Backstage Magical Lasso (Buquet, Meg, Madame Giry & Ballet Girls) Scene 6 - Beyond the Lake, the Next Morning: I Remember/Stranger Than You Dreamt It (Christine & The Phantom) Scene 5 - Beyond the Lake The Music of the Night (The Phantom) Scene 4 - The Labyrinth Underground The Phantom of the Opera (The Phantom & Christine) Scene 3 - Christine's Dressing Room: Little Lotte/The Mirror (Angel of Music) (Raoul, Christine & The Phantom) Scene 2 - After the Gala (Christine & Meg) Prologue (The stage of the Paris Opera House, 1911) (
 Auctioneer, Raoul & Company)Īct 1 Scene 1 - The Dress Rehearsal of Hannibal (Carlotta, Christine and Raoul) Track Listing Disc 1: The Phantom of the Opera: 25th Anniversary Box Set
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Overall smaller than the median of the JSON::Pure::Parser runs: Comparing times (call_time_median):ģ ParserBenchmarkRails#parser 1000 repeats:Ĥ ParserBenchmarkPure#parser 1000 repeats: The frequent high outliers - the median of the Rails-parser runs is still If you look at the benchmark data you can see that this is mostly caused by Slow it down so much that it is only as fast as the JSON::Pure::Parser! Input first to YAML and then uses the YAML-parser, the conversion seems to The ActiveSupport JSON-decoder converts the In the table above 1 is JSON::Ext::Parser, 2 is YAML.load with YAMLĬompatible JSON document, 3 is is JSON::Pure::Parser, and 4 isĪctiveSupport::code. 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